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News Articles <\/h3>
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Iconoplast conserves the past as it carves its way into the future<\/strong><\/h4>\nDaily Commercial News July 27, 2018<\/h5>\n
Its studio in an industrial building in Toronto maybe small, but Iconoplast Design has a large, impressive resume and very deep roots.<\/em><\/p>
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Restoring Historic Theaters in the 21^{st<\/sup> Century<\/strong><\/h4>\n}Jersey City, NJ | February 1, 2019<\/h5>\n
Plasterwork is one of the most character-defining interior features of America\u00e2\u20ac\u2122s historic theaters.<\/em><\/p>
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The Restoration, Preservation and Conservation of Architectural Ornamental Plaster<\/strong><\/h4>\nJean-Francois D. Furieri, President and Founder of Iconoplast<\/h5>\n
Jean-Francois D. Furieri, a third generation master plasterer, is President of Iconoplast, one of the few companies still specializing in restoration, preservation and conservation of architectural ornamental plaster.<\/em><\/p>
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The Restoration, Preservation and Conservation of Architectural Ornamental Plaster<\/strong><\/h4>\nJean-Francois D. Furieri, President and Founder of Iconoplast<\/h5>\n
Jean-Francois D. Furieri, a third generation master plasterer, is President of Iconoplast, one of the few companies still specializing in restoration, preservation and conservation of architectural ornamental plaster.<\/em><\/p>
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2019 Labor, Literature and Landmark Lecture Series Landmark Lectures Public Programs<\/strong><\/h4>\nThe General Society Landmark Lectures are presented in partnership with the New York Landmarks Conservancy<\/h5>\n
The Landmark<\/strong> lectures focus on the origin, development, and restoration of New York City\u00e2\u20ac\u2122s built environment, and celebrate the art and architecture of the City.<\/em><\/p>
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Impressive Victorian restoration for Brampton\u00e2\u20ac\u2122s Alderlea house<\/strong><\/h4>\nDaily Commercial News: October 30, 2015<\/h5>\n
Third-generation master plasterer Jean-Francois Furieri considers his restoration of the long-hidden ornate plasterwork in an iconic Brampton mansion, \u00e2\u20ac\u0153one of my best Victorian restorations.\u00e2\u20ac\u009d<\/em><\/p>
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<\/div><\/p>\n Publications <\/h3>
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The Heritage Canada Foundation \u00e2\u20ac\u201d 35 Years of Celebrating Heritage Day<\/strong><\/h4>\n
Heritage 2008 \u00e2\u20ac\u201c Work that Endures: Careers in Built Heritage<\/h5>\n
Extensive profiles on the careers and expertise of skilled tradespeople<\/h5>\n
Iconoplast & Jean-Francois Furieri among those highlighted (Introduction, page six)<\/h5>\n
\u00e2\u20ac\u0153The analytical mind of a detective. Strong in math. Artistic. Willing to work at least 10 years to perfect your skill. Master plaster worker Jean-Fran\u00c3\u00a7ois Furieri has all these attributes and more.\u00e2\u20ac\u009d <\/em><\/p>
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Canadian Wall and Ceiling Journal<\/strong><\/h4>\nThe Art of Plaster: Jan\/Feb 2007<\/h5>\n
\u00e2\u20ac\u0153While his skills are generations old, going back to his grandfather Dominique in Italy, and his father Jean-Dominique in France, Furieri\u00e2\u20ac\u2122s work combines them with new technologies, such as using rubber silicone for mould making. \u00e2\u20ac\u02dcCreations are only limited by the imagination,\u00e2\u20ac\u2122 he says.\u00e2\u20ac\u009d<\/em><\/p>
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The Trowel<\/strong><\/h4>\nThe Art of Plaster: Oct\/Nov 2006<\/h5>\n
\u00e2\u20ac\u0153Furieri says he received his \u00e2\u20ac\u02dcmaster\u00e2\u20ac\u2122 designation (a term he says comes from a long tradition of European apprenticeship) after his work on the Egyptian Theatre in Montreal and the Pantages Theatre in Toronto \u00e2\u20ac\u201c his personal masterpieces.\u00e2\u20ac\u009d<\/em><\/p>
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L\u00e2\u20ac\u2122Express<\/strong><\/h4>\n
Jean-Francois Furieri: A Votre Rencontre: 2006<\/h5>\n
Iconoplast: La Demeure de L\u00e2\u20ac\u2122Iconoclasme<\/h5>\n<\/div>\n<\/div>\n
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Canadian Wall & Ceiling Journal<\/strong><\/h4>\nProfile of the One King West Project & Iconoplast: May\/June 2005<\/h5>\n
\u00e2\u20ac\u0153Furieri\u00e2\u20ac\u2122s contract has not been easy. \u00e2\u20ac\u02dcThis project represents all the challenges of a plaster restoration project. We have a lot of complicated interventions that require the greatest precision. We have to make our work inconspicuous and that is tricky on such a large scale.\u00e2\u20ac\u2122\u00e2\u20ac\u009d<\/em><\/p>
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Globe & Mail<\/strong><\/h4>\nLast of the Master Craftsmen: December 2005<\/h5>\n
\u00e2\u20ac\u0153The number of artisans like Mr. Furieri who can work on preserving the city\u00e2\u20ac\u2122s 19th and early 20th-century buildings is dwindling. The work is as much an art as a trade. Mr. Furieri says master plasterers have to be dedicated. \u00e2\u20ac\u02dcIt takes a long apprenticeship to be able to create a Corinthian capital from scratch\u00e2\u20ac\u00a6.so many tradesmen have died with their secrets. A lot of techniques have disappeared.\u00e2\u20ac\u2122\u00e2\u20ac\u009d<\/em><\/p>
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The New York Times<\/strong><\/h4>\n
Arts & Leisure: December 1997<\/h5>\n
With a Lavish Bow to the Past, a Broadway Palace is Built<\/h5>\n
The role of Iconoplast in restoration of Times Square theatres, New York City<\/h5>\n<\/div>\n
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Wall (And) Curtain Going Up<\/strong><\/h4>\n
Transformation of the Ford Center for Performing Arts: December 1997<\/h5>\n
Featuring restoration work under the direction of Jean-Francois Furieri<\/h5>\n
\u00e2\u20ac\u0153Virtually nothing was salvageable from the interior of the Lyric, abandoned in 1922, but there were\u00e2\u20ac\u00a6.\u00e2\u20ac\u2122historic elements\u00e2\u20ac\u2122 still intact within the Apollo: boxes, the ceiling dome, columns, arches and decorative motifs that could be \u00e2\u20ac\u201c if not restored \u00e2\u20ac\u201c re-created.\u00e2\u20ac\u009d<\/em><\/p>
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Toronto Star<\/strong><\/h4>\n
Toronto Plaster Expert Wins Broadway Gig: June 1997<\/h5>\n
On the Ford Center for Performing Arts: the making and restoring of fine works of plaster, from the smallest rosette to the largest haut relief or column, the most challenging and unique Iconoplast project<\/h5>\n
\u00e2\u20ac\u0153There is a loving care for what he does. It is old-fashioned craftsmanship and it is wonderful.\u00e2\u20ac\u009d<\/em> Richard Blinder, Architect<\/p>
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New York Post<\/strong><\/h4>\n
Restoration Plays to Broadway Acclaim: September 1997<\/h5>\n
Short descriptor of the work of Iconoplast<\/h5>\n
\u00e2\u20ac\u0153Beginning in the spring of last year, the old theatres were essentially gutted. But most of the design details and decorative motifs of the Apollo were salvaged and are being incorporated into the $30-million Ford Center.\u00e2\u20ac\u009d<\/em><\/p>
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This Old House Magazine<\/strong><\/h4>\n
Renovation in Savannah: March\/April 1996<\/h5>\n
Ornamental Plaster: With techniques from the Italian Renaissance, a ceiling becomes an eye-catching canvas for three-dimensional artistry<\/h5>\n
Beautifully illustrated profile of Master Plasterer Jean-Francois Furieri, compared to the skilled craftsmen of the 15th century known as stuccotori.<\/h5>\n
\u00e2\u20ac\u0153The secret of plasterwork is in the gauging. You need a perfectly intimate mix\u00e2\u20ac\u00a6You could build a whole theater with the tools in two suitcases.\u00e2\u20ac\u009d<\/em> Jean-Francois Furieri<\/p>
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The New Brunswick Reader Magazine<\/strong><\/h4>\n
The Imperial\u00e2\u20ac\u2122s Master Plasterer: January 1994<\/h5>\n
Jean-Francois Furieri Brings European Craftsmanship to the Renovations at Saint John\u00e2\u20ac\u2122s Venerable Theatre<\/h5>\n
\u00e2\u20ac\u0153I think it\u00e2\u20ac\u2122s very good, His [Furieri] reproductions are very accurate. We can see photographs of the original work and viewing the work that the expert has done, up close, it\u00e2\u20ac\u2122s very, very true, very good.\u00e2\u20ac\u009d<\/em> Gary Hughes, Chief Curator, New Brunswick Museum<\/p>
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New Brunswick Telegraph Journal<\/strong><\/h4>\n
Plaster Perfect: February 1994<\/h5>\n
Photo of Master plasterer Jean-Fran\u00c3\u00a7ois Furieri working on \u00e2\u20ac\u0153The Ancanthus Leaf\u00e2\u20ac\u009d on the balcony of the Imperial Theatre in Saint John<\/h5>\n<\/div>\n
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Globe and Mail Final<\/strong><\/h4>\nImperial Theatre Restoration Project Coverage: July, 1994<\/h5>\n
\u00e2\u20ac\u0153Elaborate scallops, up to 15 centimeters thick and formed of Mexican sisal fibre imbued with plaster, run the whole height of the balcony front and constitute its principal decoration. At their base they are linked by curling ocean waves; floral swags complete the plasterwork (gold on dark green), which restorer Jean-Fran\u00c3\u00a7ois Furieri has said is deeper and more sculptural than the plaster he restored at Toronto\u00e2\u20ac\u2122s Pantages Theatre.\u00e2\u20ac\u009d<\/em><\/p>
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Canadian House and Home<\/strong><\/h4>\nPlaster Master: Iconoplast Puts a New Face on the Old World Tradition: May\/June 92<\/h5>\n
\u00e2\u20ac\u0153Plaster runs in Jean-Francois Furieri\u00e2\u20ac\u2122s veins. \u00e2\u20ac\u02dcThe applications of plaster mouldings are endless,\u00e2\u20ac\u2122 says Furieri. \u00e2\u20ac\u02dcThey are used for ceilings, crown mouldings, friezes, columns, pilasters, niches, sconces \u00e2\u20ac\u201c anywhere you want to add some architectural detail, or a sense of the past.\u00e2\u20ac\u2122\u00e2\u20ac\u009d<\/em><\/p>
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Toronto Star<\/strong><\/h4>\nPlaster Lends a 3-D Look: November 1990<\/h5>\n
\u00e2\u20ac\u0153At the workshop at Iconoplast, skilled craftsmen use the same methods as used in plaster casting 100 years ago. Molds are made in silicon from original pieces and filled with plaster that dries in the shape of the mold.\u00e2\u20ac\u009d<\/em><\/p>
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The Toronto Star<\/strong><\/h4>\n
Home Section: November 1990<\/h5>\n
Feature on Iconoplast Designs Residential products<\/h5>\n
\u00e2\u20ac\u0153From Egyptian to Art Nouveau to Art Deco \u00e2\u20ac\u201c name your favorite period and you can get the architectural pieces.\u00e2\u20ac\u009d<\/em><\/p>
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The Canadian Architect<\/strong><\/h4>\n
Pantages Theatre, Toronto: October 1989<\/h5>\n
Details of the restoration of this iconic theatre back to its historic grandeur; Iconoplast commissioned<\/h5>\n
\u00e2\u20ac\u0153Mezzanine lobby. The medallions and detailing in the ceiling were recovered from under thick layers of paint. Over 800 plaster casts and 1,500 paint samples were taken in the restoration program overall.\u00e2\u20ac\u009d<\/em><\/p>
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Toronto Star<\/strong><\/h4>\n
On Your Own: 1989<\/h5>\n
Furieri & Co Brings Modern Approach to an Art Form That Began in 4,000 BC<\/h5>\n
\u00e2\u20ac\u0153Dominique Furieri originated the family business in Italy in the early 1900s and then moved it to Algiers. Dominique\u00e2\u20ac\u2122s son expanded the business when it moved to France. With access to new technology, Jean-Francois is bringing a modern approach to traditional art.\u00e2\u20ac\u009d<\/em><\/p>
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Maclean\u00e2\u20ac\u2122s Magazine<\/strong><\/h4>\nOn Toronto\u00e2\u20ac\u2122s Pantages Theatre: October 1989<\/h5>\n
\u00e2\u20ac\u0153Jean-Fran\u00c3\u00a7ois Furieri, head of Iconoplast Designs Inc., the firm that did the plastering estimates that the building would have taken three years to restore if work had proceeded at a normal pace. Said Furieri: \u00e2\u20ac\u02dcI didn\u00e2\u20ac\u2122t have a day off in seven months.\u00e2\u20ac\u2122\u00e2\u20ac\u009d<\/em><\/p>
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The Toronto Star<\/strong><\/h4>\nPoet in Plaster is helping to restore the Pantages: 1989<\/h5>\n
\u00e2\u20ac\u0153Hung on the rafters are bits of history, molds and patterns that are part of the 40 tons of archives he brought from his father\u00e2\u20ac\u2122s studio in France.\u00e2\u20ac\u009d<\/em><\/p>
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Preservation Technology \u00e2\u20ac\u201c Architecture<\/strong><\/h4>\n
Reclamation on 42nd Street, New York: March 1988<\/h5>\n
Two Times Square Theatres combined to create the Ford Center for the Performing Arts<\/h5>\n
Large scale restoration project in which Iconoplast played a key role; three months alone were spent removing monumental plaster ornament from the Apollo.<\/h5>\n
\u00e2\u20ac\u0153Though much ornament was water and fire damaged and, around the box seats, had weathered the ravages of rock-concert foot stompers, Furieri salvaged 100% of the dismantled material.\u00e2\u20ac\u009d<\/em><\/p>
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Real Estate News, Toronto<\/strong><\/h4>\nPlasterer Maintains Family Tradition: 1988<\/h5>\n
\u00e2\u20ac\u0153Iconoplast Designs was involved in the $17-million historical restoration of Cineplex-Odeon\u00e2\u20ac\u2122s Pantages Theatre . Furieri\u00e2\u20ac\u2122s work on the project included restoring the great dome over the theatre, the entrance foyer, the ceiling under the balcony and two huge grilles on each side of the stage.\u00e2\u20ac\u009d<\/em><\/p>
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Plaster Dust to Dreams Fulfilled<\/strong><\/h4>\n
Savannah News: 1995<\/h5>\n
Photos \/ images of the work on Thomas Lamb Theatre<\/h5>\n
Also featured in This Old House television special<\/h5>\n
\u00e2\u20ac\u0153Endless details in the dome, a new marquee, our resident angel, a restored ceiling cameo and a visit from the PBS television series \u00e2\u20ac\u0153This Old House\u00e2\u20ac\u009d (their first ever to a theatre restoration site.) All part of the ongoing Lucas success story.\u00e2\u20ac\u009d<\/em><\/p>
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Broadcasts <\/h3>
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\n<\/iframe><\/p>\n<h4 style=\"margin-top: 0;\"><strong>This Old House<\/strong><\/h4>\n<h5>PBS Series: Iconoplast in Savannah, Georgia<\/h5>\n<h5>Details of Master Precision: 1996<\/h5>\n<\/div>\n<div class=\"po-column col-md-6 col-md-offset-0\" style=\"padding-top:px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"\" data-animation=\"fade-in\">\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/7g31Z47j0q0?rel=0\" width=\"300\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4 style=\"margin-top: 0;\"><strong>Antiques Roadshow<\/strong><\/h4>\n<h5>Rebuilding an Eastlake Victorian in Cabbagetown, Toronto<\/h5>\n<h5>Emmy Award nominated series with feature on Iconoplast Designs: 2005<\/h5>\n<\/div>\n<\/div>\n<p><div class=\"clearfix hidden-xs\"><\/div><\/p>\n<div class=\"po-column col-sm-10 col-sm-offset-1\" style=\"padding-top:0px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"200\" data-animation=\"move-up\">\n<div class=\"po-column col-md-6 col-md-offset-0\" style=\"padding-top:px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"\" data-animation=\"fade-in\">\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/tWKEUuO25HE?rel=0\" width=\"300\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4 style=\"margin-top: 0;\"><strong>Radio Canada Television, CBC<\/strong><\/h4>\n<h5>Interview with Jean-Francois Furieri (French): 2004<\/h5>\n<\/div>\n<div class=\"po-column col-md-6 col-md-offset-0\" style=\"padding-top:px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"\" data-animation=\"fade-in\">\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/MDdSIDY9Kps?rel=0\" width=\"300\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4 style=\"margin-top: 0;\"><strong>Radio Canada Television, CBC<\/strong><\/h4>\n<h5>Interview with Jean-Francois Furieri (French): 1989<\/h5>\n<\/div>\n<\/div>\n<p><div class=\"clearfix hidden-xs\"><\/div><\/p>\n<div class=\"po-column col-sm-10 col-sm-offset-1\" style=\"padding-top:0px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"200\" data-animation=\"move-up\">\n<div class=\"po-column col-md-6 col-md-offset-0\" style=\"padding-top:px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"\" data-animation=\"fade-in\">\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/YI2RQjv7mz0?rel=0\" width=\"300\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4 style=\"margin-top: 0;\"><strong>General Society of Mechanics and Tradesmen of the City of New York<\/strong><\/h4>\n<h5>Restoration, Preservation and Conservation of Architectural Ornamental Plaster by Master Craftman Jean-Fran\u00c3\u00a7ois D. Furieri: May 21st, 2019.<\/h5>\n<\/div>\n<div class=\"po-column col-md-6 col-md-offset-0\" style=\"padding-top:px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"\" data-animation=\"fade-in\">\n<iframe loading=\"lazy\" src=\"https:\/\/www.cbc.ca\/i\/caffeine\/syndicate\/?mediaId=1536493635774\" width=\"300\" height=\"150\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<h4 style=\"margin-top: 0;\"><strong>Behind the scenes of the massive renovations at Massey Hall<\/strong><\/h4>\n<h5>As the historic Massey Hall marks its 125th anniversary, it is deep into its restoration project. Ian recently went back to check in on things, and he brought along a major figure from Canada’s music scene: Blue Rodeo’s Jim Cuddy. 6:32<\/h5>\n<\/div>\n<\/div>\n<p><div class=\"clearfix hidden-xs\"><\/div><\/p>\n<div class=\"po-column po-header-top col-sm-12\" data-delay=\"0\" data-animation=\"fade-in\" style=\"padding:0;\"><h3 class=\"text-center standard-header\" style=\"font-size: 30px; font-weight: ; font-family:\"Source Sans Pro\", sans-serif;; color:; line-height:;\"> Other Noteworthy Material <\/h3><div class=\"header-line\" style=\"margin-top:px; padding-bottom:px;\"><\/div><\/div><div class=\"clearfix\"><\/div>\n<p><div class=\"clearfix hidden-xs\"><\/div><\/p>\n<div class=\"po-column col-sm-10 col-sm-offset-1\" style=\"padding-top:0px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"200\" data-animation=\"move-up\">\n<div class=\"po-column col-md-2 col-md-offset-0\" style=\"padding-top:px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"\" data-animation=\"fade-in\">\n<img class=\" size-full aligncenter\" sizes=\"(max-width: px) 100vw, px\" srcset=\"https:\/\/iconoplast.com\/wp-content\/uploads\/Imp_theatre_Page_1-110x110.png 110w, https:\/\/iconoplast.com\/wp-content\/uploads\/Imp_theatre_Page_1.png 314w\" \/>\n<br \/>\n<div style=\"padding:0\"><div class=\"row po-full-width\"><div class=\"po-column col-sm-12\" style=\"padding:0;\" data-delay=\"0\" data-animation=\"fade-in\"><a href=\"https:\/\/iconoplast.com\/\/wp-content\/uploads\/Imp_theatre.pdf\" class=\"btn outline-button light btn-lg btn-block\" style=\"width:75px; margin:0 auto;\">PDF<\/a><\/div><\/div><\/div>\n<\/div>\n<div class=\"po-column col-md-4 col-md-offset-0\" style=\"padding-top:px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"\" data-animation=\"fade-in\">\n<h4 style=\"margin-top: 0;\"><strong>Imperial Theatre (Souvenir Program)<\/strong><\/h4>\n<h5>Saint-John, New Brunswick: 1994<\/h5>\n<h5>Detailed feature on the massive restoration project for this illustrious theatre. Master Plasterer Jean-Francois Furieri commissioned for decorative plaster work and specialty painting reproduced from the original ornamentation with plaster molds.<\/h5>\n<p><p class=\"textblock\" style=\"text-align:left; padding-top:0px; padding-right:10px; padding-bottom:0px; font-size: 16px; font-weight: ; font-family:'Playfair Display', serif; color:#777777; line-height:1.5;\"><em>\u00e2\u20ac\u0153The original is one of the best examples of plaster work we\u00e2\u20ac\u2122ve seen,\u00e2\u20ac\u009d he says. \u00e2\u20ac\u0153The old style pieces are quite unique. It\u00e2\u20ac\u2122s of the calibre of an opera house in Italy. This is the quality we\u00e2\u20ac\u2122re talking about.\u00e2\u20ac\u009d<\/em><\/p><br \/>\n<\/div>\n<div class=\"po-column col-md-2 col-md-offset-0\" style=\"padding-top:px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"\" data-animation=\"fade-in\">\n<img class=\" size-full aligncenter\" sizes=\"(max-width: px) 100vw, px\" srcset=\"https:\/\/iconoplast.com\/wp-content\/uploads\/D-weekend-final-110x110.png 110w, https:\/\/iconoplast.com\/wp-content\/uploads\/D-weekend-final.png 472w\" \/>\n<br \/>\n<div style=\"padding:0\"><div class=\"row po-full-width\"><div class=\"po-column col-sm-12\" style=\"padding:0;\" data-delay=\"0\" data-animation=\"fade-in\"><a href=\"https:\/\/iconoplast.com\/\/wp-content\/uploads\/D-weekend-final.pdf\" class=\"btn outline-button light btn-lg btn-block\" style=\"width:75px; margin:0 auto;\">PDF<\/a><\/div><\/div><\/div>\n<\/div>\n<div class=\"po-column col-md-4 col-md-offset-0\" style=\"padding-top:px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"\" data-animation=\"fade-in\">\n<h4 style=\"margin-top: 0;\"><strong>Canadian Interiors<\/strong><\/h4>\n<h5>Special Supplement: Designer\u00e2\u20ac\u2122s Weekend \u00e2\u20ac\u02dc92<\/h5>\n<h5>Profiles of featured speakers, including Jean-Francois Furieri<\/h5>\n<p><p class=\"textblock\" style=\"text-align:left; padding-top:0px; padding-right:10px; padding-bottom:0px; font-size: 16px; font-weight: ; font-family:'Playfair Display', serif; color:#777777; line-height:1.5;\"><em>\u00e2\u20ac\u0153Jean-Fran\u00c3\u00a7ois is devoted to the fine art of decorative plastering. An art historian and master craftsman with an intimate knowledge of Roman, Greek and North American art, this European expert will trace the evolution of this architectural craft.\u00e2\u20ac\u009d<\/em><\/p><br \/>\n<\/div>\n<\/div>\n<p><div class=\"clearfix hidden-xs\"><\/div><\/p>\n<div class=\"po-column col-sm-10 col-sm-offset-1\" style=\"padding-top:0px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"200\" data-animation=\"move-up\">\n<div class=\"po-column col-md-2 col-md-offset-0\" style=\"padding-top:px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"\" data-animation=\"fade-in\">\n<img class=\" size-full aligncenter\" sizes=\"(max-width: px) 100vw, px\" srcset=\"https:\/\/iconoplast.com\/wp-content\/uploads\/ACT-final-110x110.png 110w, https:\/\/iconoplast.com\/wp-content\/uploads\/ACT-final.png 300w\" \/>\n<br \/>\n<div style=\"padding:0\"><div class=\"row po-full-width\"><div class=\"po-column col-sm-12\" style=\"padding:0;\" data-delay=\"0\" data-animation=\"fade-in\"><a href=\"https:\/\/iconoplast.com\/\/wp-content\/uploads\/ACT-final.pdf\" class=\"btn outline-button light btn-lg btn-block\" style=\"width:75px; margin:0 auto;\">PDF<\/a><\/div><\/div><\/div>\n<\/div>\n<div class=\"po-column col-md-4 col-md-offset-0\" style=\"padding-top:px; padding-left:px; padding-right:px; padding-bottom:px;\" data-delay=\"\" data-animation=\"fade-in\">\n<h4 style=\"margin-top: 0;\"><strong>ACT Architectural Conservancy<\/strong><\/h4>\n<h5>The Plaster Palace: Restoration of Plaster Decorations at Pantages Theatre<\/h5>\n<h5>Memorial Lecture: September 1989<\/h5>\n<p><p class=\"textblock\" style=\"text-align:left; padding-top:0px; padding-right:10px; padding-bottom:0px; font-size: 16px; font-weight: ; font-family:'Playfair Display', serif; color:#777777; line-height:1.5;\"><em>\u00e2\u20ac\u0153Jean-Francois Furieri\u00e2\u20ac\u2122s clientele has included a variety of international luminaries and institutions.\u00e2\u20ac\u009d<\/em><\/p><br \/>\n<\/div>\n<\/div>\n<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":1154,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width-template.php","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/iconoplast.com\/wp-json\/wp\/v2\/pages\/1094"}],"collection":[{"href":"https:\/\/iconoplast.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/iconoplast.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/iconoplast.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/iconoplast.com\/wp-json\/wp\/v2\/comments?post=1094"}],"version-history":[{"count":0,"href":"https:\/\/iconoplast.com\/wp-json\/wp\/v2\/pages\/1094\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iconoplast.com\/wp-json\/wp\/v2\/media\/1154"}],"wp:attachment":[{"href":"https:\/\/iconoplast.com\/wp-json\/wp\/v2\/media?parent=1094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}